Today we begin the gigantic Symbolum Nicenum (Credo) section of the Mass. It is a stunning example of Bach’s use of symmetrical construction. It consists of nine movements, eight of which are placed mirror-like on either side of the central movement, the “Crucifixus”. The first movement of the Credo is in the style of antique Renaissance polyphony, using the traditional Gregorian chant of the Credo in very slow notes (cantus firmus­ style). The vast, formal scale of this movement sets the tone for the whole Credo. It is immediately followed by a thoroughly Baroque style movement, with full orchestral compliment. It is vigorous and celebratory. Then comes a duet for soprano and alto in a rather “square” style, depicting the solid, unmovable faith of the believer.

– Dennis Keene

Join us for our 30th Anniversary Season.
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BACH “Credo,” “Patrem Omnipotentem,” and “Et in Unum Dominum” from Mass in B Minor

Voices of Ascension
Dennis Keene, Artistic Director

Dominique Labelle, soprano
Silvie Jensen, mezzo-soprano

Recorded live in concert on February 27, 2014, at Church of the Ascension
The singers in this performance are represented by the American Guild of Musical Artists, AFL-CIO.